Eye Candy for Imagining Venice
As you all happily return to classes this fall, you will be met with the visually-compelling, new poster for Imagining Venice. Let us know where the sightings are taking place. We hope to generate a lot of excitement for our course with our design. Christy Smolenski of the Study Abroad office helped put together the design of the poster. She put up with the two professor artists and their persnickety demands for visual perfection. We ended up with a great poster. The image is taken from four different art images: photograph, comic book style graphic, watercolor, and oil painting. This is the view from the Dogana, or customs house, at the entrance to the Grand Canal opposite St. Mark’s. We look out toward the east to San Giorgio Maggiore. This is an iconic view of Venice, to be sure, and has been depicted by centuries of artists. Will you add to the visual conversation that we intend to present in class and in person from this exact spot?
The image uses a photograph from Paolo de Faveri, a comic style gondola by me and a watercolor by me, connected to an oil painting by Joseph William Mallory Turner. With the poster, we hope to communicate the variety of possibilities for the images of Venice. We also intend to imply that individual artistic responses to the city are numerous and that your voice can be added to what some think of as a visual din. This class is a pilgrimage to a place that has been so ingrained in our consciousness that some will say that it is not necessary to even go there to learn anything new. Dr. Dru and I say that the very act of traveling informs your life in profound ways and that no matter how many times you see an image of Venice, it is not the same as being there. Join us and find out for yourself. Imagine Venice and you!
PS. You can see more of Paolo’s photographs at his website listed on our blogroll.


